November 4, 2008
As Americans head to the voting polls today to decide who will be the 44th President of the United States, four million American citizens who are residents of Puerto Rico will be barred from casting their ballots.
A Spanish colony from 1493 to 1897, Puerto Rico was ceded to the U.S. under the Treaty of Paris in December 1898, putting an end to the Spanish-American War. It marked the end of the Spanish Empire in the Americas and signaled the rise of U.S. colonialism.
In 1917, Puerto Ricans were granted U.S. citizenship and in 1947, the right to democratically elect their own governor (previously an appointed post). In 1952, they drafted their own constitution which was ratified by Congress and approved by President Truman.
Today, Puerto Rico is officially an Estado Libre Asociado (which translates into “Free Associated State”) or Commonwealth: a self-governing territory — with its own executive, legislative, and judicial branches — that is subject to U.S. jurisdiction and sovereignty. It belongs to the U.S., but is not part of the U.S. It has limited (non-voting) representation in Congress. Its head of state is the President of the United States — who it can nominate in party primaries (as we saw on June 1st), but NOT vote for in presidential elections.
So, today Americans vote for President. And Puerto Ricans vote for Governor: not-quite-equal-citizens in a not-quite-independent, not-quite-common land for almost a century.
It’s definitely time for change. We’ve waited far too long. Here’s hoping today is the day change makes history. Vote OBAMA.
October 30, 2008
On October 30, 1938, Orson Welles and the Mercury Theater on the Air broadcast a radio play based on H. G. Wells’ science-fictional work, “The War of the Worlds“. The hyperrealistic play about an invasion of Earth by Martians created mass hysteria among thousands of radio listeners who had tuned into WABC and CBS’ radio network from 8 to 9 that evening.
The next day, the New York Times reported on the historic event:
Despite prior announcements and an introduction about the play’s imaginary content, thousands of listeners believed an alien invasion had indeed begun. Police stations and newspapers nationwide, but particularly in New York and New Jersey (non-fictional site of the fictional alien attacks), were swamped with frantic calls for help and rescue.
After the event, CBS, Mercury Theater, and Welles expressed their profound regrets at having stirred up so much fear, anger, and panic. Ironically, Welles disclosed that he had hesitated about presenting the play because he thought that “perhaps people might be bored or annoyed at hearing a tale so improbable”.
70 years ago today, the great Orson Welles tapped into the power of mass media and the lure of dramatic narrative — and unexpectedly, revealed how much we want to believe.
October 29, 2008
Today, a French court rejected President Nicolas Sarkozy’s demand for a ban on a Sarkozy voodoo doll released by French company K&B earlier this month. According to BBC, the Paris judge ruled that the doll was “within the authorized limits of free expression and the right to humour”.
The voodoo kit includes a manual, a doll emblazoned with some of the president’s more memorable quotes (including “Get Lost You Pathetic Asshole” and “Work More To Earn More”), and pins for users to stick into the doll.
Sarkozy’s lawyer had argued that like any French person, Sarkozy owned the right to his own image, which was violated by the sale of the doll. According to the Guardian, the highly litigious president has been ridiculed by his critics for launching the legal action — his sixth lawsuit since his election. The doll has become a must-have.
Earlier this year, Sarkozy and wife Carla Bruni won a case against Ryanair for using their image in a Paris newspaper ad without permission. Sarkozy has also launched a legal case against another company that produces novelty T-shirts bearing his name and a target sign, saying “Sarkozy Tolerance Zero”.
Whatever happened to Liberté, Égalité, Fraternité ?
Photo: Franck Fife/AFP/Getty images
October 23, 2008
In Time Magazine’s October 27 issue, “Verbatim” (its regular page of quick quotations) includes this statement from Sheriff Thomas J. Dart of Cook County, Illinois:
We’re just not going to evict innocent tenants. It stops today.
According to Time, Dart said this upon “suspending foreclosure evictions in the Chicago area because renters were not being properly notified about their landlords’ financial problems.”
Without knowing much else about Dart, his stand struck me as so profoundly and simply human. Yes, let’s just stop kicking people out of their homes. It could be as simple as that. We’ve got to start somewhere.
My Google search led to a CNN article about the sheriff. Apparently, he made the statement on October 8 to protect innocent tenants who are “victimized by an uncaring, reckless system.” On October 16, he announced he would resume evictions but these would be based on specific conditions (see CNN report). Also, that he would hire a social worker to help evictees find alternative housing.
That’s heroic. Yes, one person saying “no more” CAN make a difference.
Of course, CNN also reports that the Illinois Bankers Association is critical of Dart’s actions, saying he was “elected to uphold the law and to fulfill the legal duties of his office, which include serving eviction notices.” Now THAT’s a crime.
blixity to the Illinois Bankers Association: Shut The Fuck Up.
Dart is one public official who seems to be looking out for his public. A blixity tip of the hat to a GOOD MAN in deed.
October 20, 2008
“Mobile Art”, a slick UFO-like exhibition space designed by architect Zaha Hadid and commissioned by Karl Lagerfeld of Chanel, has arrived at Central Park’s Rumsey Playfield (off Fifth Avenue and 69th Street). The traveling container for about 20 Chanel-inspired projects (very kindly misbilled as contemporary art installations — don’t be fooled: it’s corporate branding) by a rotating list of international producers will be open to the public from October 20 to November 9.
The promotional-spectacle-disguised-as-art container is on a two-year worldwide tour. Launched in Hong Kong in February 2008, it traveled to Tokyo before arriving in New York. In November, it continues onto London, then Moscow, and finally Paris in 2010. (These stops probably represent the fashion house’s most lucrative markets, yes?)
Adrian Benepe, NY’s Parks & Recreation Commissioner, is ever-eager to further the corporate takeover of public space, aka public-private partnerships:
Our partnership with Chanel continues the great tradition of bringing world class cultural offerings to New York City’s parks… Zaha Hadid’s traveling pavilion will place a futuristic work of architecture and outstanding works of contemporary art in an historic setting in the heart of Central Park. The contrast will be fantastic, melding the vision of one of the world’s most important fashion houses with the beauty of one of the world’s most significant works of landscape design.
Bruno Pavlovsky, Chanel’s Fashion President, is ever-eager to equate the company’s products with art:
Mobile Art was conceived as a project that examines the relationship between contemporary art, fashion and architecture. The project pushes the boundaries of the Chanel aesthetic by joining these mediums and creating an innovative artistic experience. As envisioned by Karl Lagerfeld, the project explores the role fashion plays in the everyday life of women through symbolic evocations of the Chanel quilted handbag.
ACK. In the midst of today’s economy, this recalls Marie-Antoinette’s response when she was told that the French had no bread to eat: “Let Them Eat Cake!”
October 19, 2008
Lucian Freud’s unfinished portrait (1956-7) of his friend Francis Bacon had many in the global art market holding their breaths. Up for auction tonight at Christie’s in London, the painting was expected to fetch £7 million. Bloomberg reports that it sold for much less: £5.4 million.
After lower-than-expected contemporary art sales at Sotheby’s, Frieze, and now Christie’s, dealers consider the Freud sale to be a sign of a stalling global market and a deepening financial crisis.
The Independent on Sunday reports great apprehension:
The global art market is all but dead already, except for buyers of ‘trophy art’ whose fortunes have previously seemed unassailable. If they stop bidding, prices will plummet.
Freud’s portrait was considered a harbinger for super-rich spending. The fact that it sold for less than expected (although still above the presale low estimate of £5 million) indicates that even trophy buyers are cutting back.
Fasten your seatbelts. Turbulence ahead.
October 19, 2008
NYT’s top cultural chronicler Bill Cunningham ran the lead photo above for his “Evening Hours” page this Sunday. From left: Cardinal Edward M. Egan, Alfred E. Smith IV (great grandson of Smith), Nan Smith, and Senator Barack Obama at the Alfred E. Smith Memorial Foundation dinner held on October 16th at the Waldorf-Astoria in New York City.
The dinner reportedly raised $4 million for underprivileged children. Which is (undeniably) well and good. It also brought together — in royal white tie — the city’s (arguably, the nation’s) political, cultural, and media elite: both presidential hopefuls, both state senators, the city’s 3rd-term-seeking mayor, a Catholic archbishop, news anchors, and so on and so forth.
Power. With a capital-P. I can’t help but think how much of our futures were shaped that night.
No surprise to anyone that politicians must pal around with the ruling dynasties of wealth and religion in order to get work done. But I am curious about whether and how Obama’s promise of change will weather these dominant regimes with which he is ostensibly at odds.
Certainly, there is no choice. Obama MUST/WILL become the next American president. There is much at stake. One hopes his presidency radically alters photographs such as this.